A Horror Film Blog

An effective but uneven folk horror from the Netherlands, a place not generally associated with unspeakable ancient evil steeped into the soil ... but is the real monster the atrocious dubbing? Sorry to bother you.  We're here to talk about the terrible ancient curse afflicting your bloodline.  Can we com in? Moloch is a mixed bag.  First of all, the dubbing is terrible.  Characters speak without moving their lips and then their lips flap for several seconds after the finish their lines - which are rendered in unemphatic fashion by voice actors who sound bored rather than terrified or annoyed or aroused.  Why, couldn't they have stuck subtitles on?  The set of people who are willing to soldier on in spite of the dire dubbing is identical to the set of people who will read subtitles.  Why degrade their experience by this travesty? But that said ... Beneath this superficial issue is a good film, made in a very small way and with a tight, claustroph...

I have vague memories of watching this film years ago.  I remember not liking it very much.  Seeing it appear on Shudder, I thought I would revisit it, in case I had judged it unfairly. Perhaps.  It's an okay film, blessed with a good cast and budget 'all on screen' as they say; but it struggles to put its story across convincingly. Torches.  There are a lot of torches in this film.  at least these guys came prepared. The producers include Robert Zemeckis and Joel Silver.  Big name producers guarantees a decent budget and access to resources but it also puts some limitations in terms of tone and story.  It can't be too dark, it's a Robert Zemeckis film.  It has to be brash and loud and in-your-face, it's a Joel Silver film. So, to the story.  A crew of rugged, tough-as-nails salvagers are commissioned by a completely unsinister stranger called Ferriman (geddit?) to locate and salvage a liner that has been drifting in the Bering Sea for 40 yea...

This Italaina film, directed by Lorenzo Bianchini, is a curious effort.  It is pretty much setting and atmosphere in search of a story.  There are some very ambitious ideas here - the film is virtually a one-man show, with our attention centered squarely on wildlife researcher Marco Contrada (played by Renzo Gariup) who wanders into an old abandoned village, redolent with menace, and finds himself somehow unable to leave. It starts brilliantly - the first half is an assured demonstration of building up unease, as Marco potters about putting cameras on foxes and so on, before exploring the obviously doom laden abandoned village. Even with essentially one character and virtually no dialogue, it is is fascinating. The use of sound is particularly good - every crunch of gravel, scrape and creak seems to intimate a mysterious danger. The cinematography is brilliant - stark and drained of colour, to the point where it seems we are watching a series of sepia photographs come to life....